Erin McCuskey

McCuskey’s art is cinema, multilayered film using archival, found and captured moving image. She uses screen language of the half-dark, overlay and blur to reflect her long-sightedness (hyperopia). Working at the intersection of cinema and art, she explores themes of feminisms, memory and death. Known for her use of muses, she explores the idea that joy is resistance and that expressing culture through dance is a way to protect our hard won freedoms.

McCuskey’s love of the moving image grew from lounge-room screenings of family films created by her father. The youngest girl of a large Irish immigrant family, she studies the once prohibited Gaeilge (Irish language) and Irish mythology to understand concepts of home and belonging.

“Film artist Erin M McCuskey’s work is indeed one of Australia’s great ‘unknown pleasures’… fusing analogue film (created and archival), music, dance, literature, theatre and a visual artist’s perspective into digital cinematic works that are firstly sensual and delightful, and secondly resonantly poetic and deep.” (Bill Mousoulis – Unknown Pleasures).