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DTSTART;TZID=Australia/Melbourne:20230413T193000
DTEND;TZID=Australia/Melbourne:20230413T210000
DTSTAMP:20260407T143538
CREATED:20230202T024047Z
LAST-MODIFIED:20230202T024640Z
UID:33946-1681414200-1681419600@ballaratmi.org.au
SUMMARY:Ballarat Film Society - Both Sides of the Blade
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/bfs-bothsidesoftheblade/
LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350
CATEGORIES:Externally Produced Event,Film
ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2023/02/Brody-Both-Blade.jpg-e1675305921383.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230414T170000
DTEND;TZID=Australia/Melbourne:20230414T183000
DTSTAMP:20260407T143538
CREATED:20230315T023507Z
LAST-MODIFIED:20230317T002330Z
UID:35114-1681491600-1681497000@ballaratmi.org.au
SUMMARY:Book Launch | Look Back on Languor: The memoir of a hurkle-durkle Australian male
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/look-back-on-languor-frank-hurley/
LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Culture,Library
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/Langour_-front-cover-flyer-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230415T090000
DTEND;TZID=Australia/Melbourne:20230416T140000
DTSTAMP:20260407T143538
CREATED:20230310T045900Z
LAST-MODIFIED:20230317T002615Z
UID:35050-1681549200-1681653600@ballaratmi.org.au
SUMMARY:BMI Autumn Book Sale
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/bmi-autumn-book-sale/
LOCATION:Library Ground Floor\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:BMI Produced Event,Culture,Fundraiser,Library,Market
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2022/09/IMG-0851-e1678425194379.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230416T090000
DTEND;TZID=Australia/Melbourne:20230416T140000
DTSTAMP:20260407T143538
CREATED:20230309T005139Z
LAST-MODIFIED:20230317T002839Z
UID:34979-1681635600-1681653600@ballaratmi.org.au
SUMMARY:BMI Autumn Maker Market
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/bmi-autumn-maker-market/
LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350
CATEGORIES:BMI Produced Event,Market
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2021/04/maker_image-e1628392488945.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230328T140000
DTEND;TZID=Australia/Melbourne:20230328T150000
DTSTAMP:20260407T143538
CREATED:20230327T231124Z
LAST-MODIFIED:20230328T222715Z
UID:36550-1680012000-1680015600@ballaratmi.org.au
SUMMARY:Day Tour of the Ballaarat Mechanics' Institute
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/tours-of-ballarat-mechanics-institute-heritage/
LOCATION:Library Ground Floor\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:BMI Produced Event,Culture,Tours
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/07/tours-banner-draft-cropped.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230328T140000
DTEND;TZID=Australia/Melbourne:20230328T150000
DTSTAMP:20260407T143538
CREATED:20230327T231124Z
LAST-MODIFIED:20230328T222715Z
UID:36550-1680012000-1680015600@ballaratmi.org.au
SUMMARY:Day Tour of the Ballaarat Mechanics' Institute
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/tours-of-ballarat-mechanics-institute-heritage/
LOCATION:Library Ground Floor\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:BMI Produced Event,Culture,Tours
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/07/tours-banner-draft-cropped.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230428T190000
DTEND;TZID=Australia/Melbourne:20230428T200000
DTSTAMP:20260407T143538
CREATED:20230310T034250Z
LAST-MODIFIED:20230327T215854Z
UID:35019-1682708400-1682712000@ballaratmi.org.au
SUMMARY:Meet the Author |  Olivia Wearne & Elizabeth Coleman
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/meet-the-author-elizabeth-coleman-olivia-wearne/
LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Culture,Library
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2023/03/event-listing-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230430T193000
DTEND;TZID=Australia/Melbourne:20230430T220000
DTSTAMP:20260407T143538
CREATED:20230221T003406Z
LAST-MODIFIED:20230221T003522Z
UID:34698-1682883000-1682892000@ballaratmi.org.au
SUMMARY:Melbourne International Comedy Festival Roadshow | Ballarat
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/micfroadshow2023/
LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350
CATEGORIES:Comedy,Externally Produced Event
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2023/02/FB_Header-01-e1676939589744.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230501T103000
DTEND;TZID=Australia/Melbourne:20230501T143000
DTSTAMP:20260407T143538
CREATED:20230328T024519Z
LAST-MODIFIED:20230412T033854Z
UID:36692-1682937000-1682951400@ballaratmi.org.au
SUMMARY:Digitisation Workshop | AMaGa | Geraldine Brault
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/digitisation-workshop-amaga-geraldine-brault-session-1/
LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Culture,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/hands-on-digitisation-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230502T103000
DTEND;TZID=Australia/Melbourne:20230502T113000
DTSTAMP:20260407T143539
CREATED:20230327T230710Z
LAST-MODIFIED:20230329T222016Z
UID:36544-1683023400-1683027000@ballaratmi.org.au
SUMMARY:The Reading Room
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/the-reading-room-book-discussion-2/
LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,BMI Produced Event,Library
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2021/11/Reading_room_adjusted-e1704770529709.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230328T140000
DTEND;TZID=Australia/Melbourne:20230328T150000
DTSTAMP:20260407T143539
CREATED:20230327T231124Z
LAST-MODIFIED:20230328T222715Z
UID:36550-1680012000-1680015600@ballaratmi.org.au
SUMMARY:Day Tour of the Ballaarat Mechanics' Institute
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/tours-of-ballarat-mechanics-institute-heritage/
LOCATION:Library Ground Floor\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:BMI Produced Event,Culture,Tours
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/07/tours-banner-draft-cropped.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230503T173000
DTEND;TZID=Australia/Melbourne:20230503T190000
DTSTAMP:20260407T143539
CREATED:20230321T055028Z
LAST-MODIFIED:20230425T230806Z
UID:35753-1683135000-1683140400@ballaratmi.org.au
SUMMARY:Twilight Talks 2023 | Season 2\, Session 1
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/twilight-talks-season-2-ballarat-heritage-festival-3-may-2023-2/
LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Ballarat Heritage Festival,Culture,The Collection,Twilight Talks
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/11/twilight-talks-gold-black-2023.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230328T140000
DTEND;TZID=Australia/Melbourne:20230328T150000
DTSTAMP:20260407T143539
CREATED:20230327T231124Z
LAST-MODIFIED:20230328T222715Z
UID:36550-1680012000-1680015600@ballaratmi.org.au
SUMMARY:Day Tour of the Ballaarat Mechanics' Institute
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/tours-of-ballarat-mechanics-institute-heritage/
LOCATION:Library Ground Floor\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:BMI Produced Event,Culture,Tours
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/07/tours-banner-draft-cropped.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230510T173000
DTEND;TZID=Australia/Melbourne:20230510T190000
DTSTAMP:20260407T143539
CREATED:20230321T025736Z
LAST-MODIFIED:20230505T002500Z
UID:35687-1683739800-1683745200@ballaratmi.org.au
SUMMARY:Twilight Talks 2023 | Season 2\, Session 2
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/twilight-talks-season-2-ballarat-heritage-festival-4/
LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Ballarat Heritage Festival,Culture,The Collection,Twilight Talks
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/11/twilight-talks-gold-black-2023.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230516T140000
DTEND;TZID=Australia/Melbourne:20230516T150000
DTSTAMP:20260407T143539
CREATED:20230515T053426Z
LAST-MODIFIED:20230515T053446Z
UID:39816-1684245600-1684249200@ballaratmi.org.au
SUMMARY:Day Tour of the Ballaarat Mechanics' Institute
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/tours-of-ballarat-mechanics-institute-heritage-2/
LOCATION:Library Ground Floor\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:BMI Produced Event,Culture,Tours
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2021/05/BMI-facade.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230518T193000
DTEND;TZID=Australia/Melbourne:20230518T210000
DTSTAMP:20260407T143539
CREATED:20230202T030347Z
LAST-MODIFIED:20230912T011423Z
UID:33952-1684438200-1684443600@ballaratmi.org.au
SUMMARY:Ballarat Film Society - A Hero (Ghahreman)
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/bfs-ahero/
LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350
CATEGORIES:Ballarat Film Society,Externally Produced Event,Film
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/02/hero01-e1675307277220.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230519T103000
DTEND;TZID=Australia/Melbourne:20230519T120000
DTSTAMP:20260407T143539
CREATED:20230322T052316Z
LAST-MODIFIED:20230426T002837Z
UID:35957-1684492200-1684497600@ballaratmi.org.au
SUMMARY:The Heritage Collection | Special Program
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/the-heritage-collection-special-program/
LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/641315e3602909f94cc8096a.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230519T110000
DTEND;TZID=Australia/Melbourne:20230519T160000
DTSTAMP:20260407T143539
CREATED:20230323T224741Z
LAST-MODIFIED:20230404T035806Z
UID:36150-1684494000-1684512000@ballaratmi.org.au
SUMMARY:Living Heritage Exhibition
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/living-heritage-at-the-ballaarat-mechanics-institute-exhibition/
LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition,The Collection
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/6413133691792ea538a2c867.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230520T110000
DTEND;TZID=Australia/Melbourne:20230520T160000
DTSTAMP:20260407T143539
CREATED:20230323T232803Z
LAST-MODIFIED:20230404T040203Z
UID:36181-1684580400-1684598400@ballaratmi.org.au
SUMMARY:Living Heritage Exhibition
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/living-heritage-ballaarat-mechanics-exhibition/
LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition,The Collection
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/6413133691792ea538a2c867.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230520T120000
DTEND;TZID=Australia/Melbourne:20230520T210000
DTSTAMP:20260407T143539
CREATED:20230411T234830Z
LAST-MODIFIED:20230421T020449Z
UID:37851-1684584000-1684616400@ballaratmi.org.au
SUMMARY:Victorian Pinup Pageant 2023 & Revue de Ballarat
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/victorian-pinup-pageant-2023-and-revue-de-ballarat-her-majestys/
LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350
CATEGORIES:Ballarat Heritage Festival,Externally Produced Event,Theatre Production
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2023/04/pageant.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230520T235500
DTEND;TZID=Australia/Melbourne:20230521T010000
DTSTAMP:20260407T143539
CREATED:20230323T221229Z
LAST-MODIFIED:20230516T010919Z
UID:36126-1684626900-1684630800@ballaratmi.org.au
SUMMARY:Minerva's Secrets | Night Tours | Ballarat Heritage Festival
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/minervas-secrets-night-tours-ballarat-heritage-festival/
LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Ballarat Heritage Festival,BMI Produced Event,Culture,The Collection
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2021/10/BMI_upshot_evening.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230521T103000
DTEND;TZID=Australia/Melbourne:20230521T120000
DTSTAMP:20260407T143539
CREATED:20230403T063758Z
LAST-MODIFIED:20230420T045333Z
UID:37129-1684665000-1684670400@ballaratmi.org.au
SUMMARY:The Ballarat Courier Collection | Special Programs
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/the-ballarat-courier-collection-special-programs/
LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2022/04/ballarat-courier-11-september-1915-page-5-heritage-reading-room-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230521T110000
DTEND;TZID=Australia/Melbourne:20230521T160000
DTSTAMP:20260407T143539
CREATED:20230403T233853Z
LAST-MODIFIED:20230404T040910Z
UID:37166-1684666800-1684684800@ballaratmi.org.au
SUMMARY:Living Heritage Exhibition
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/living-heritage-ballaarat-mechanics-exhibition-copy/
LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition,The Collection
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/6413133691792ea538a2c867.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230521T140000
DTEND;TZID=Australia/Melbourne:20230521T160000
DTSTAMP:20260407T143539
CREATED:20230404T041607Z
LAST-MODIFIED:20230404T041835Z
UID:37396-1684677600-1684684800@ballaratmi.org.au
SUMMARY:Life Drawing in the Basement
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/life-drawing-in-the-basement-copy-copy-2/
LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/641b9c63dce404b6288d524a.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230521T190000
DTEND;TZID=Australia/Melbourne:20230521T200000
DTSTAMP:20260407T143540
CREATED:20230323T221945Z
LAST-MODIFIED:20230516T011211Z
UID:36143-1684695600-1684699200@ballaratmi.org.au
SUMMARY:Minerva's Secrets | Night Tours | Ballarat Heritage Festival (Originally scheduled 9pm-10pm)
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/minervas-secrets-night-tours-ballarat-heritage-festival-2/
LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Ballarat Heritage Festival,BMI Produced Event,Culture,The Collection
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2021/10/BMI_upshot_evening.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230521T190000
DTEND;TZID=Australia/Melbourne:20230521T210000
DTSTAMP:20260407T143540
CREATED:20230322T052457Z
LAST-MODIFIED:20230515T053759Z
UID:35962-1684695600-1684702800@ballaratmi.org.au
SUMMARY:Life Drawing in the Basement (this event now cancelled)
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/life-drawing-in-the-basement-copy/
LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/641b9c63dce404b6288d524a.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230522T103000
DTEND;TZID=Australia/Melbourne:20230522T120000
DTSTAMP:20260407T143540
CREATED:20230403T064019Z
LAST-MODIFIED:20230420T045241Z
UID:37131-1684751400-1684756800@ballaratmi.org.au
SUMMARY:Baron von Mueller Collection | Special Programs
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/baron-von-mueller-collection-special-programs/
LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/10/grimwade.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230522T103000
DTEND;TZID=Australia/Melbourne:20230522T143000
DTSTAMP:20260407T143540
CREATED:20230328T020210Z
LAST-MODIFIED:20230404T042439Z
UID:36634-1684751400-1684765800@ballaratmi.org.au
SUMMARY:Cataloguing workshop | AMaGa | Geraldine Brault
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/cataloguing-workshop-amaga-geraldine-brault/
LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Culture,Exhibition
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2023/03/managing-your-collection-vc-logo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230522T110000
DTEND;TZID=Australia/Melbourne:20230522T160000
DTSTAMP:20260407T143540
CREATED:20230323T232402Z
LAST-MODIFIED:20230404T042634Z
UID:36178-1684753200-1684771200@ballaratmi.org.au
SUMMARY:Living Heritage Exhibition
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/living-heritage-ballaarat-mechanics-exhibition-2/
LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Art programs,Ballarat Heritage Festival,BMI Produced Event,Culture,Exhibition,The Collection
ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/03/6413133691792ea538a2c867.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20230523T103000
DTEND;TZID=Australia/Melbourne:20230523T120000
DTSTAMP:20260407T143540
CREATED:20230321T000449Z
LAST-MODIFIED:20230517T050827Z
UID:35640-1684837800-1684843200@ballaratmi.org.au
SUMMARY:Twilight Talks 2023 | Season 2\, Session 4 | Ballarat Heritage Festival
DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production 				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n																														\n				\n							\n			\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n						\n					\n			\n							\n		\n				\n			\n						\n				\n					\n		\n			July 26\n\n	\n\n	  @  \n\n\n2:00 pm\n\n		\n\n\n\n	\n	  -  \n\n4:00 pm\n\n\n\n	\n				\n				\n					\n		\n				\n			\n						\n				\n					\n$10 – $30 				\n				\n					\n		\n				\n			\n						\n									Minerva Space 								\n					\n		\n				\n			\n							\n		\n					\n		\n				\n							\n			\n		\n						\n				\n									The Tony Award Winning Play by Yasmina Reza 								\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n						\n		\n						\n				\n									After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. 								\n				\n							\n			\n						\n		\n						\n				\n									God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. 								\n				\n									The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. 								\n				\n																														\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Playwright – Yasmina Reza 								\n				\n									Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. 								\n				\n							\n			\n		\n						\n				\n							\n						\n				\n									Directed by Ruby Abbott 								\n				\n							\n			\n		\n						\n				\n									Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n						\n				\n						\n					\n			\n						\n									Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. 								\n					\n		\n				\n			\n						\n										\n						\n									Get Tickets\n					\n					\n								\n				\n									No allocated seating 								\n					\n		\n					\n		\n					\n		\n					\n		\n				\n						\n					\n			\n						\n									Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. 								\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n				\n									Ballarat National Theatre 								\n				\n						\n					\n			\n							\n		\n				\n			\n						\n																\n															\n															\n					\n		\n				\n			\n							\n		\n					\n		\n				\n									Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. 								\n				\n						\n					\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n				\n			\n						\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n							\n			\n		\n						\n				\n										\n						\n									Supporters & partners\n					\n					\n								\n				\n																\n															\n															\n					\n		\n					\n		\n				\n						\n					\n			\n						\n							\n			\n		\n						\n				\n							\n			\n						\n		\n						\n					\n		\n					\n		\n				\n						\n					\n			\n						\n																														\n					\n		\n				\n			\n						\n									This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land.
URL:https://ballaratmi.org.au/event/twilight-talks-season-2-ballarat-heritage-festival-2/
LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia
CATEGORIES:Ballarat Heritage Festival,Culture,The Collection,Twilight Talks
ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2022/11/twilight-talks-gold-black-2023.png
END:VEVENT
END:VCALENDAR