BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Ballaarat Mechanics' Institute - ECPv6.15.18//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Ballaarat Mechanics' Institute X-ORIGINAL-URL:https://ballaratmi.org.au X-WR-CALDESC:Events for Ballaarat Mechanics' Institute REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Australia/Melbourne BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20240406T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20241005T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20250405T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20251004T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20260404T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20261003T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20270403T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20271002T160000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251115T190000 DTEND;TZID=Australia/Melbourne:20251115T200000 DTSTAMP:20260406T231904 CREATED:20250923T040314Z LAST-MODIFIED:20250923T052823Z UID:67502-1763233200-1763236800@ballaratmi.org.au SUMMARY:Minerva's Secrets | Night Tour DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/minervas-secrets-night-tours-15-nov-25/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Night Tours,Tours ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2024/02/received_908662326866361-e1708918930337.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251115T210000 DTEND;TZID=Australia/Melbourne:20251115T220000 DTSTAMP:20260406T231904 CREATED:20250923T051356Z LAST-MODIFIED:20250923T052637Z UID:67555-1763240400-1763244000@ballaratmi.org.au SUMMARY:Minerva's Secrets | Night Tour DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/minervas-secrets-night-tours-15-nov-25-2/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Night Tours,Tours ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2024/02/received_265285705882698-e1708919200874.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251118T180000 DTEND;TZID=Australia/Melbourne:20251118T193000 DTSTAMP:20260406T231904 CREATED:20250917T050616Z LAST-MODIFIED:20250930T062718Z UID:67363-1763488800-1763494200@ballaratmi.org.au SUMMARY:In Conversation with Margaret Hickey DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/margaret-hickey-25/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/09/margaret-hickey-sq-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251119T173000 DTEND;TZID=Australia/Melbourne:20251119T183000 DTSTAMP:20260406T231905 CREATED:20250728T054722Z LAST-MODIFIED:20251110T232935Z UID:66407-1763573400-1763577000@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 5\, Recent Years | Ballarat's Her Majesty's Reinvention\, Presented by Richard Nicholson DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/her-majestys-reinvention/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2025/07/square-promo-2025-her-majestys-final.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251119T190000 DTEND;TZID=Australia/Melbourne:20251119T200000 DTSTAMP:20260406T231905 CREATED:20250917T030336Z LAST-MODIFIED:20250917T031134Z UID:67346-1763578800-1763582400@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Meditations on the Mind: How to Create Mental Space DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-19-nov-2025/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/09/Med_on_mind_Sq.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251120T183000 DTEND;TZID=Australia/Melbourne:20251120T200000 DTSTAMP:20260406T231905 CREATED:20251110T031233Z LAST-MODIFIED:20251110T031636Z UID:68444-1763663400-1763668800@ballaratmi.org.au SUMMARY:An Evening with Peter FitzSimons AM DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/an-evening-with-peter-fitzsimons-am/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Author Talk,Library ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/11/cover-peter-fitzsimonos-book-e1762145093105.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251121T193000 DTEND;TZID=Australia/Melbourne:20251121T210000 DTSTAMP:20260406T231905 CREATED:20250917T004106Z LAST-MODIFIED:20251110T233455Z UID:67335-1763753400-1763758800@ballaratmi.org.au SUMMARY:Ben Knight: The Parent Teacher Interview | Show now SOLD OUT DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/ben-knight-parent-teacher/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Comedy ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/09/ben-knight-sq-promo.webp ORGANIZER;CN="KEG Touring":MAILTO:Contact@kegtouring.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251122T100000 DTEND;TZID=Australia/Melbourne:20251123T160000 DTSTAMP:20260406T231905 CREATED:20240822T062240Z LAST-MODIFIED:20251120T012503Z UID:58498-1763805600-1763913600@ballaratmi.org.au SUMMARY:Open Garden & Devonshire Tea - BMI Fundraiser | Errard Hall DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/open-garden-fundraiser-2025/ LOCATION:Errard Hall\, Errard Street North\, Ballarat Central\, City of Ballarat\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Members,Urban Agriculture Month ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/08/square-promo-errard-hall.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251122T184500 DTEND;TZID=Australia/Melbourne:20251122T223000 DTSTAMP:20260406T231905 CREATED:20251017T035401Z LAST-MODIFIED:20251110T042444Z UID:68049-1763837100-1763850600@ballaratmi.org.au SUMMARY:Small Things DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/small-things/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/10/sq-promo.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251126T173000 DTEND;TZID=Australia/Melbourne:20251126T183000 DTSTAMP:20260406T231905 CREATED:20250728T055539Z LAST-MODIFIED:20251110T233614Z UID:66413-1764178200-1764181800@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 5\, Recent Years | Ballarat Arts Foundation: 25 Years Old\, Presented by Paula Nicholson DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/ballarat-arts-foundation/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2025/07/square-promo-2025-ballarat-arts-foundation.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251126T190000 DTEND;TZID=Australia/Melbourne:20251126T200000 DTSTAMP:20260406T231905 CREATED:20250917T031231Z LAST-MODIFIED:20250917T031337Z UID:67356-1764183600-1764187200@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Meditations on the Mind: How to Create Mental Space DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-26-nov-2025/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/09/Med_on_mind_Sq.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251128T200000 DTEND;TZID=Australia/Melbourne:20251128T213000 DTSTAMP:20260406T231905 CREATED:20250408T004608Z LAST-MODIFIED:20250813T031528Z UID:64310-1764360000-1764365400@ballaratmi.org.au SUMMARY:Akmal | Live Comedy at the BMI DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/akmal/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Comedy ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/promo-square-akmal.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251129T200000 DTEND;TZID=Australia/Melbourne:20251129T213000 DTSTAMP:20260406T231905 CREATED:20250714T024250Z LAST-MODIFIED:20250813T025904Z UID:66208-1764446400-1764451800@ballaratmi.org.au SUMMARY:Daniel Muggleton: You Might Be White\, I May Be Crazy DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/daniel-muggleton/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Comedy ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/07/square-promo-daniel-muggleton.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251202T180000 DTEND;TZID=Australia/Melbourne:20251202T193000 DTSTAMP:20260406T231905 CREATED:20251113T001614Z LAST-MODIFIED:20251113T003410Z UID:68682-1764698400-1764703800@ballaratmi.org.au SUMMARY:In Conversation with William McInnes DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/william-mcinnes/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Library ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/11/william-sq-promo.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251203T190000 DTEND;TZID=Australia/Melbourne:20251203T200000 DTSTAMP:20260406T231905 CREATED:20250917T031355Z LAST-MODIFIED:20250917T031513Z UID:67359-1764788400-1764792000@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Meditations on the Mind: How to Create Mental Space DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-3-dec-2025/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/09/Med_on_mind_Sq.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251206T100000 DTEND;TZID=Australia/Melbourne:20251206T140000 DTSTAMP:20260406T231905 CREATED:20251110T024632Z LAST-MODIFIED:20251128T005707Z UID:68436-1765015200-1765029600@ballaratmi.org.au SUMMARY:BMI Christmas Book Sale DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/bmi-christmas-book-sale/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Library,Market ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/11/book-sale-square-promo-christmas-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251207T090000 DTEND;TZID=Australia/Melbourne:20251207T140000 DTSTAMP:20260406T231905 CREATED:20251110T010546Z LAST-MODIFIED:20251203T043313Z UID:68424-1765098000-1765116000@ballaratmi.org.au SUMMARY:BMI Christmas Market DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/bmi-christmas-market/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Art programs,Christmas,Fundraiser,Important Dates,Market ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/11/square-promo-christmas-market-calling-for-stallholders-v5-final-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251210T190000 DTEND;TZID=Australia/Melbourne:20251210T200000 DTSTAMP:20260406T231905 CREATED:20250917T031528Z LAST-MODIFIED:20250917T031619Z UID:67361-1765393200-1765396800@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Meditations on the Mind: How to Create Mental Space DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-10-dec-2025/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/09/Med_on_mind_Sq.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251211T193000 DTEND;TZID=Australia/Melbourne:20251211T210000 DTSTAMP:20260406T231905 CREATED:20250212T034546Z LAST-MODIFIED:20250321T110602Z UID:62004-1765481400-1765486800@ballaratmi.org.au SUMMARY:Ballarat Film Society | ​Little Richard: I am Everything DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/bfs-little-richard/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Ballarat Film Society,Externally Produced Event,Film ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/sqaure-promo-bfs5.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251212T190000 DTEND;TZID=Australia/Melbourne:20251212T200000 DTSTAMP:20260406T231905 CREATED:20250923T045702Z LAST-MODIFIED:20250923T051149Z UID:67545-1765566000-1765569600@ballaratmi.org.au SUMMARY:Minerva's Secrets | Night Tour DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/minervas-secrets-night-tours-12-dec-25/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Night Tours,Tours ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2024/02/received_908662326866361-e1708918930337.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20251213T200000 DTEND;TZID=Australia/Melbourne:20251213T213000 DTSTAMP:20260406T231905 CREATED:20251021T225043Z LAST-MODIFIED:20251210T032321Z UID:68162-1765656000-1765661400@ballaratmi.org.au SUMMARY:Christmas Comedy Gala at BMI DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/christmas-comedy-gala/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Comedy ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/10/sq-promo-comedy-gala.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260110T130000 DTEND;TZID=Australia/Melbourne:20260110T160000 DTSTAMP:20260406T231905 CREATED:20251209T021738Z LAST-MODIFIED:20251209T041541Z UID:69434-1768050000-1768060800@ballaratmi.org.au SUMMARY:Artistanbul: Create your own Turkish Mosaic Lamp DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/art-istanbul-workshop/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Art programs,Christmas,Fundraiser,Important Dates,Market ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/12/sq-promo-art-instanbul.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260112T180000 DTEND;TZID=Australia/Melbourne:20260112T190000 DTSTAMP:20260406T231905 CREATED:20241217T012501Z LAST-MODIFIED:20251209T010209Z UID:60743-1768240800-1768244400@ballaratmi.org.au SUMMARY:Ballarat Festival of Organ and Fine Music | Darkness & Delight - Jerry Wong (solo piano) DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/jerry-wong/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Classical Music,Live Music,organs ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2024/12/jerry-wong.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260123T193000 DTEND;TZID=Australia/Melbourne:20260123T213000 DTSTAMP:20260406T231905 CREATED:20251203T003308Z LAST-MODIFIED:20251203T010553Z UID:69281-1769196600-1769203800@ballaratmi.org.au SUMMARY:Billy Hinde's Big Band presents: A Night of Big Band DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/a-night-of-big-band/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Live Music ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/12/sq-promo-billy-hinde.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260128T180000 DTEND;TZID=Australia/Melbourne:20260128T193000 DTSTAMP:20260406T231905 CREATED:20251120T065224Z LAST-MODIFIED:20251215T040410Z UID:68764-1769623200-1769628600@ballaratmi.org.au SUMMARY:In Conversation with Geoff Parkes and Susi Fox DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/in-conversation-with-geoff-parks-susi-fox/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Library ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/11/sq-promo-geoff.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260128T190000 DTEND;TZID=Australia/Melbourne:20260128T201500 DTSTAMP:20260406T231905 CREATED:20251124T043242Z LAST-MODIFIED:20251201T032638Z UID:68875-1769626800-1769631300@ballaratmi.org.au SUMMARY:Living From a Place of Inner Peace - Ballarat Public Talk DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/living-from-a-place-of-inner-peace/ LOCATION:VIC CATEGORIES:kadampa,Talk ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2025/11/square-promo2-1.jpg ORGANIZER;CN="KMC Australia & Melbourne":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260204T190000 DTEND;TZID=Australia/Melbourne:20260204T200000 DTSTAMP:20260406T231905 CREATED:20260119T040646Z LAST-MODIFIED:20260119T235306Z UID:70116-1770231600-1770235200@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | A Fresh Start: Discover the Power of Meditation DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-4-feb-26/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2026/01/Square-A_Fresh_Start.jpg ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260211T190000 DTEND;TZID=Australia/Melbourne:20260211T200000 DTSTAMP:20260406T231905 CREATED:20260119T041205Z LAST-MODIFIED:20260119T235116Z UID:70121-1770836400-1770840000@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | A Fresh Start: Discover the Power of Meditation DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-11-feb-26/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2026/01/Square-A_Fresh_Start.jpg ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260212T193000 DTEND;TZID=Australia/Melbourne:20260212T210000 DTSTAMP:20260406T231905 CREATED:20260128T030546Z LAST-MODIFIED:20260129T033730Z UID:70313-1770924600-1770930000@ballaratmi.org.au SUMMARY:Ballarat Film Society | Flow DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/ballarat-film-society-flow/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Ballarat Film Society,Film ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2026/01/flow-sq-promo.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20260214T120000 DTEND;TZID=Australia/Melbourne:20260214T140000 DTSTAMP:20260406T231905 CREATED:20260112T012814Z LAST-MODIFIED:20260112T060448Z UID:69779-1771070400-1771077600@ballaratmi.org.au SUMMARY:In conversation with Tori Baxter | Book Launch DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/in-conversation-with-tori-baxter/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Author Talk ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2026/01/Untitled-1.jpg END:VEVENT END:VCALENDAR