BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Ballaarat Mechanics' Institute - ECPv6.15.18//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Ballaarat Mechanics' Institute X-ORIGINAL-URL:https://ballaratmi.org.au X-WR-CALDESC:Events for Ballaarat Mechanics' Institute REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Australia/Melbourne BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20240406T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20241005T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20250405T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20251004T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20260404T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20261003T160000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250721T091500 DTEND;TZID=Australia/Melbourne:20250721T213000 DTSTAMP:20260407T013729 CREATED:20250624T032442Z LAST-MODIFIED:20250626T063213Z UID:65793-1753089300-1753133400@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-1/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250722T091500 DTEND;TZID=Australia/Melbourne:20250722T180000 DTSTAMP:20260407T013729 CREATED:20250624T034613Z LAST-MODIFIED:20250626T063205Z UID:65803-1753175700-1753207200@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-2/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250722T140000 DTEND;TZID=Australia/Melbourne:20250722T150000 DTSTAMP:20260407T013729 CREATED:20250527T054132Z LAST-MODIFIED:20250528T004952Z UID:65238-1753192800-1753196400@ballaratmi.org.au SUMMARY:Day Tours of the Ballaarat Mechanics' Institute | Ballarat Winter Festival 22 July DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/day-tours-ballarat-winter-festival-3/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:Ballarat Heritage Festival,Ballarat Winter Festival,Festival,Fundraiser,Important Dates,Tours ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/10/BMI-woodcut_bags-low-res-1kb-e1703024949185.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250723T091500 DTEND;TZID=Australia/Melbourne:20250723T210000 DTSTAMP:20260407T013729 CREATED:20250624T035330Z LAST-MODIFIED:20250626T063153Z UID:65806-1753262100-1753304400@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-3/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250723T190000 DTEND;TZID=Australia/Melbourne:20250723T200000 DTSTAMP:20260407T013729 CREATED:20250408T042521Z LAST-MODIFIED:20250408T042633Z UID:64378-1753297200-1753300800@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Meditations for A Clear Mind DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-23-july/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/Clear-Mind-Urban-Ballarat-square-promo.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250724T091500 DTEND;TZID=Australia/Melbourne:20250724T163000 DTSTAMP:20260407T013729 CREATED:20250624T035700Z LAST-MODIFIED:20250626T063134Z UID:65807-1753348500-1753374600@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-4/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250725T110000 DTEND;TZID=Australia/Melbourne:20250725T163000 DTSTAMP:20260407T013729 CREATED:20250624T042305Z LAST-MODIFIED:20250626T063123Z UID:65813-1753441200-1753461000@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-5/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250726T091500 DTEND;TZID=Australia/Melbourne:20250726T183000 DTSTAMP:20260407T013729 CREATED:20250624T064136Z LAST-MODIFIED:20250626T062951Z UID:65868-1753521300-1753554600@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-9/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250727T140000 DTEND;TZID=Australia/Melbourne:20250727T180000 DTSTAMP:20260407T013729 CREATED:20250624T044813Z LAST-MODIFIED:20250625T050048Z UID:65825-1753624800-1753639200@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule - Celebrating Chopin DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-7/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Live Music,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/06/chopin.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250728T093000 DTEND;TZID=Australia/Melbourne:20250728T173000 DTSTAMP:20260407T013729 CREATED:20250624T052537Z LAST-MODIFIED:20250626T063100Z UID:65835-1753695000-1753723800@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-4/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250729T093000 DTEND;TZID=Australia/Melbourne:20250729T163000 DTSTAMP:20260407T013729 CREATED:20250624T054647Z LAST-MODIFIED:20250626T063035Z UID:65841-1753781400-1753806600@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-5/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250730T093000 DTEND;TZID=Australia/Melbourne:20250730T190000 DTSTAMP:20260407T013729 CREATED:20250624T060939Z LAST-MODIFIED:20250626T063024Z UID:65852-1753867800-1753902000@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-6/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250730T183000 DTEND;TZID=Australia/Melbourne:20250730T193000 DTSTAMP:20260407T013729 CREATED:20250715T014238Z LAST-MODIFIED:20250730T001534Z UID:66248-1753900200-1753903800@ballaratmi.org.au SUMMARY:Rare Book Week Melbourne | Rare Books in Mechanics' Institutes: Uncover Hidden Treasures DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rare-books-mechanics-institutes/ LOCATION:Prahran Mechanics’ Institute Victorian History Library\, 39 Saint Edmonds Road\, Prahran\, Victoria\, 3350\, Australia CATEGORIES:About us,Important Dates,Rare Book Week,The Collection ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/06/IMG39-BMI-crop.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250730T190000 DTEND;TZID=Australia/Melbourne:20250730T200000 DTSTAMP:20260407T013729 CREATED:20250408T040007Z LAST-MODIFIED:20250408T041032Z UID:64365-1753902000-1753905600@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | How to Love Yourself & Others DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-30-july/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/How-to-Love-Yourseld-Others-square-promo.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250731T100000 DTEND;TZID=Australia/Melbourne:20250731T160000 DTSTAMP:20260407T013729 CREATED:20250624T062123Z LAST-MODIFIED:20250626T063012Z UID:65855-1753956000-1753977600@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-7/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250801T160000 DTEND;TZID=Australia/Melbourne:20250801T203000 DTSTAMP:20260407T013729 CREATED:20250624T063047Z LAST-MODIFIED:20250626T063002Z UID:65863-1754064000-1754080200@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-8/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250802T093000 DTEND;TZID=Australia/Melbourne:20250802T210000 DTSTAMP:20260407T013729 CREATED:20250625T043529Z LAST-MODIFIED:20250626T063828Z UID:65954-1754127000-1754168400@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule & Championship Challenge DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-9-2/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Live Music,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250803T143000 DTEND;TZID=Australia/Melbourne:20250803T203000 DTSTAMP:20260407T013729 CREATED:20250624T235217Z LAST-MODIFIED:20250626T062854Z UID:65881-1754231400-1754253000@ballaratmi.org.au SUMMARY:Royal South Street Society | Herald Sun Aria Heats DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-aria-heats/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250804T193000 DTEND;TZID=Australia/Melbourne:20250804T213000 DTSTAMP:20260407T013729 CREATED:20250625T000219Z LAST-MODIFIED:20250722T042831Z UID:65888-1754335800-1754343000@ballaratmi.org.au SUMMARY:Royal South Street Society | Herald Sun Aria Semi Final DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-aria-semi-final/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Live Music,Royal South Street Society,Theatre Production ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250806T180000 DTEND;TZID=Australia/Melbourne:20250806T193000 DTSTAMP:20260407T013729 CREATED:20250527T025831Z LAST-MODIFIED:20250616T021316Z UID:65197-1754503200-1754508600@ballaratmi.org.au SUMMARY:In conversation with Chloe Adams & Alli Sinclair DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/chloe-adams-alli-sinclair/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Ballarat Winter Festival,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/05/sq-promo-chloe-and-alli-v2.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250806T190000 DTEND;TZID=Australia/Melbourne:20250806T200000 DTSTAMP:20260407T013729 CREATED:20250408T041052Z LAST-MODIFIED:20250408T041408Z UID:64372-1754506800-1754510400@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | How to Love Yourself & Others DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-6-august/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/How-to-Love-Yourseld-Others-square-promo.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250810T140000 DTEND;TZID=Australia/Melbourne:20250810T160000 DTSTAMP:20260407T013729 CREATED:20250512T035956Z LAST-MODIFIED:20250805T061800Z UID:64945-1754834400-1754841600@ballaratmi.org.au SUMMARY:The Little Brass Band | BMI Fundraiser: Cheers\, Raise a Glass to Brass DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/little-brass-band/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/05/little-brass-band-square-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250813T190000 DTEND;TZID=Australia/Melbourne:20250813T200000 DTSTAMP:20260407T013729 CREATED:20250408T041113Z LAST-MODIFIED:20250408T041537Z UID:64373-1755111600-1755115200@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | How to Love Yourself & Others DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-13-august/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/How-to-Love-Yourseld-Others-square-promo.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250815T180000 DTEND;TZID=Australia/Melbourne:20250815T193000 DTSTAMP:20260407T013729 CREATED:20250811T041345Z LAST-MODIFIED:20250811T045630Z UID:66767-1755280800-1755286200@ballaratmi.org.au SUMMARY:The Secret History of Sharks with Professor John Long | National Science Week DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/the-secret-history-of-sharks/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Festival,Fundraiser,Members,Science Week,Talk ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/08/sq-promo-the-secret-history-of-sharks.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250816T193000 DTEND;TZID=Australia/Melbourne:20250816T220000 DTSTAMP:20260407T013729 CREATED:20250605T021537Z LAST-MODIFIED:20250801T031934Z UID:65518-1755372600-1755381600@ballaratmi.org.au SUMMARY:Craig McLachlan Live & Intimate - Six String Stories DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/craig-mc-lachlan/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:BMI Produced Event,Live Music,Talk ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/06/CRAIG-MCLACHLAN-SixStringStories_CM_Hero_draft2-Liam-Mudge.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250820T180000 DTEND;TZID=Australia/Melbourne:20250820T193000 DTSTAMP:20260407T013729 CREATED:20250522T034400Z LAST-MODIFIED:20250813T001437Z UID:65063-1755712800-1755718200@ballaratmi.org.au SUMMARY:In Conversation with Michael Robotham DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/michael-robotham/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/05/sq-promo-robotham.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250820T190000 DTEND;TZID=Australia/Melbourne:20250820T200000 DTSTAMP:20260407T013729 CREATED:20250814T001943Z LAST-MODIFIED:20250814T002105Z UID:66976-1755716400-1755720000@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | How to Love Yourself & Others DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-20-august/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/How-to-Love-Yourseld-Others-square-promo.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250823T140000 DTEND;TZID=Australia/Melbourne:20250823T170000 DTSTAMP:20260407T013729 CREATED:20250714T045240Z LAST-MODIFIED:20250715T044101Z UID:66222-1755957600-1755968400@ballaratmi.org.au SUMMARY:Laura J Fitzwilson\, Book Launch - The Fool DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/laura-j-fitzwilson/ LOCATION:Heritage Reading Room\, Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/07/square-promo-laura-l-fitzwilson.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250823T200000 DTEND;TZID=Australia/Melbourne:20250823T230000 DTSTAMP:20260407T013729 CREATED:20241204T023112Z LAST-MODIFIED:20260203T025535Z UID:60476-1755979200-1755990000@ballaratmi.org.au SUMMARY:Six String Blues - A Tribute To Blues Guitar DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/sex-string-blues/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Ballarat Blues Festival,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/12/square-promo-six-string-blues.webp ORGANIZER;CN="Matt Arthur Music":MAILTO:matt@mattarthurmusic.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250827T190000 DTEND;TZID=Australia/Melbourne:20250827T200000 DTSTAMP:20260407T013729 CREATED:20250408T041557Z LAST-MODIFIED:20250813T042601Z UID:64376-1756321200-1756324800@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Focus: The Power of Concentration DESCRIPTION:God of Carnage\, A Ballarat National Theatre Production \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n July 26\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n4:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$10 – $30 \n \n \n \n \n \n \n Minerva Space \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n The Tony Award Winning Play by Yasmina Reza \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n \n After the event of school yard bullying\, four parents differing views may have just created cause for another round; adults edition. \n \n \n \n \n \n \n \n God of Carnage is a one act black comedy play. It won best comedy at the 2009 Tony Awards and the 2009 Laurence Olivier Awards. \n \n The play begins with Michael and Veronica\, parents of young Henry\, inviting Alan and Annette\, parents of Benjamin\, to their home to discuss the horrifying event that occurred on the playground that morning. Eleven-year-old Henry refused to let classmate Benjamin join his gang. Not taking this dismissal lightly\, Benjamin armed himself with a stick and knocked out Henry’s two front teeth. With polite niceties wearing thin\, the audience watches four very different people try to resolve this matter\, convincing each other that it was not the fault of their own son\, rather that of the other. With accusations being hurled around the room\, the argument heats up even further when evaluating matters of racism\, sexism and homophobia. By evening’s end\, the gloves are well and truly off\, with the adults behaving in a manner that is eerily similar to that which occurred on the playground. \n \n \n \n \n \n \n \n \n \n \n \n Playwright – Yasmina Reza \n \n Yasmina Reza is a French playwright\, actress\, novelist and screenwriter best known for her plays ‘Art’ and God of Carnage. Many of her brief satiric plays have reflected on contemporary middle-class issues. In 1994\, ‘Art’ premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced internationally and translated and performed in over 30 languages. The London production\, produced by David Pugh and Dafydd Rogers\, received the 1996–97 Laurence Olivier Award. It also won the Tony Award for Best Play. God of Carnage opened in London in March 2008\, directed by Matthew Warchus in a translation by Christopher Hampton starring Ralph Fiennes\, Tamsin Greig\, Janet McTeer and Ken Stott. It was produced by David Pugh and Dafydd Rogers\, their second collaboration with Reza. The London production won the Laurence Olivier Award for Best New Comedy. The play premiered on Broadway with an opening night cast of James Gandolfini\, Jeff Daniels\, Marcia Gay Harden\, and Hope Davis. God of Carnage won Best Play at the 2009 Tony Awards. \n \n \n \n \n \n \n \n \n \n Directed by Ruby Abbott \n \n \n \n \n \n \n Ruby is a local creative artist\, working as an actor\, director\, and producer. God of Carnage marks Ruby’s full length directorial debut. Ruby has been involved in many productions in Ballarat and surrounds. She has performed several times with Ballarat National Theatre\, including in Mr Bennet’s Bride (2022)\, Dust and Ruin (2023)\, A Date With Death (2024) and Dancing at Lughnasa (2024). Ruby has previously served as an assistant director for many productions\, including The Haunted Theatre (2025)\, Sister Cities (2024)\, and The Servant of Two Masters (2021). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $30 adults\, $25 Concession\, $20.00 BNT members\, $15 Children\,  Group package (10 adults)\, $180.00. Ticket sales close 1 hour prior to the performance. A bar will operate for these sessions. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n No allocated seating \n \n \n \n \n \n \n \n \n \n \n \n \n \n Running Time: 1.5 Hours (no interval) Doors open 30 minutes prior to show start time. Bar available Content warning – Strong language and mature themes. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ballarat National Theatre are a BMI Community PartnerFind out more about BMI Community Partnerships below. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Supporters & partners\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-27-august-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/square-promo-1.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT END:VCALENDAR