BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Ballaarat Mechanics' Institute - ECPv6.16.5.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Ballaarat Mechanics' Institute X-ORIGINAL-URL:https://ballaratmi.org.au X-WR-CALDESC:Events for Ballaarat Mechanics' Institute REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Australia/Melbourne BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20240406T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20241005T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20250405T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20251004T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20260404T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20261003T160000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250122T190000 DTEND;TZID=Australia/Melbourne:20250122T204000 DTSTAMP:20250321T192735Z CREATED:20241113T005429Z LAST-MODIFIED:20250321T192735Z UID:59934-1737572400-1737578400@ballaratmi.org.au SUMMARY:'Gimme Shelter' 1970 | THIS EVENT HAS BEEN CANCELLED DUE TO TECH ISSUES DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/gimme-shelter-1970/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Art Gallery of Ballarat,BMI Produced Event,Film,Important Dates ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/11/mich-jagger-square.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250124T193000 DTEND;TZID=Australia/Melbourne:20250124T230000 DTSTAMP:20250321T163216Z CREATED:20250110T013352Z LAST-MODIFIED:20250321T163216Z UID:61048-1737747000-1737759600@ballaratmi.org.au SUMMARY:HIP HOP ELEMENTS DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/hip-hop-elements-bmi/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/sqaure-promo-hip-hop.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250129T190000 DTEND;TZID=Australia/Melbourne:20250129T203000 DTSTAMP:20250321T151012Z CREATED:20241216T233250Z LAST-MODIFIED:20250321T151012Z UID:60722-1738177200-1738182600@ballaratmi.org.au SUMMARY:Finding Joy: Meditation in a Busy Life - Public Talk with Gen Kelsang Rabten DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/finding-joy/ LOCATION:VIC CATEGORIES:kadampa,Talk ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/12/Finding-Joy-Ballarat.webp ORGANIZER;CN="KMC Australia & Melbourne":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250205T190000 DTEND;TZID=Australia/Melbourne:20250205T203000 DTSTAMP:20250321T161202Z CREATED:20250106T012015Z LAST-MODIFIED:20250321T161202Z UID:60892-1738782000-1738787400@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | New Beginnings: How to Start Meditating DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-new-beginnings-1/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/new-beginnings-squre-v2.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250207T183000 DTEND;TZID=Australia/Melbourne:20250207T203000 DTSTAMP:20250321T163211Z CREATED:20250110T034631Z LAST-MODIFIED:20250321T163211Z UID:61064-1738953000-1738960200@ballaratmi.org.au SUMMARY:BMI Live: Olybird and the Milla Williams Duo DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/olybird-milla-williams-duo/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Live,Important Dates,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/IMG_0066A.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250209T150000 DTEND;TZID=Australia/Melbourne:20250209T173000 DTSTAMP:20250321T163224Z CREATED:20241113T233828Z LAST-MODIFIED:20250321T163224Z UID:59974-1739113200-1739122200@ballaratmi.org.au SUMMARY:Adam Harvey | Live at the BMI DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/adam-harvey/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/11/rdKZB_7g-socials.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250212T190000 DTEND;TZID=Australia/Melbourne:20250212T203000 DTSTAMP:20250321T161159Z CREATED:20250106T014304Z LAST-MODIFIED:20250321T161159Z UID:60901-1739386800-1739392200@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | New Beginnings: How to Start Meditating DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-new-beginnings-2/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/new-beginnings-squre-v2.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250213T193000 DTEND;TZID=Australia/Melbourne:20250213T210000 DTSTAMP:20250321T113214Z CREATED:20250203T001511Z LAST-MODIFIED:20250321T113214Z UID:61630-1739475000-1739480400@ballaratmi.org.au SUMMARY:Ballarat Film Society | KNEECAP DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/bfs-kneecap/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Ballarat Film Society,Externally Produced Event,Film ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/kneecap-square-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250218T180000 DTEND;TZID=Australia/Melbourne:20250218T193000 DTSTAMP:20250321T160628Z CREATED:20241202T031650Z LAST-MODIFIED:20250321T160628Z UID:60438-1739901600-1739907000@ballaratmi.org.au SUMMARY:In Conversation with Jane Cafarella DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/jane-cafarella/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/12/jane-cafarella-sq-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250219T190000 DTEND;TZID=Australia/Melbourne:20250219T203000 DTSTAMP:20250321T161156Z CREATED:20250106T014520Z LAST-MODIFIED:20250321T161156Z UID:60903-1739991600-1739997000@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | New Beginnings: How to Start Meditating DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-new-beginnings-3/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/new-beginnings-squre-v2.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250221T193000 DTEND;TZID=Australia/Melbourne:20250221T210000 DTSTAMP:20250321T163205Z CREATED:20250121T235526Z LAST-MODIFIED:20250321T163205Z UID:61399-1740166200-1740171600@ballaratmi.org.au SUMMARY:BMI Live: Hot Club Swing & Amie Brûlée DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/hot-club-swing-amie-brulee/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Live,Important Dates,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/udwcV2RW-e1738021755508.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250225T180000 DTEND;TZID=Australia/Melbourne:20250225T200000 DTSTAMP:20250321T160554Z CREATED:20250109T010836Z LAST-MODIFIED:20250321T160554Z UID:61027-1740506400-1740513600@ballaratmi.org.au SUMMARY:In Conversation with Megan Brown & Lucy Sussex DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/megan-brown-lucy-sussex/ LOCATION:VIC CATEGORIES:Author Talk,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/square-promo-megan-brown.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250226T173000 DTEND;TZID=Australia/Melbourne:20250226T183000 DTSTAMP:20250325T113129Z CREATED:20250108T015354Z LAST-MODIFIED:20250325T113129Z UID:60976-1740591000-1740594600@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 1\, Special Event | Dancers on the Sea by Gabrielle Samson DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/twilight-talks-atauro-timor-leste/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/square-promo-dancers-on-the-sea.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250226T190000 DTEND;TZID=Australia/Melbourne:20250226T203000 DTSTAMP:20250321T113222Z CREATED:20250106T014730Z LAST-MODIFIED:20250321T113222Z UID:60905-1740596400-1740601800@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | The Path of Peace: Three Ways to a Simpler Life DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-26-feb-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/square-promo-path-to-peace.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250305T180000 DTEND;TZID=Australia/Melbourne:20250305T190000 DTSTAMP:20250321T121648Z CREATED:20250108T035746Z LAST-MODIFIED:20250321T121648Z UID:61006-1741197600-1741201200@ballaratmi.org.au SUMMARY:A BMI Fundraising Public Talk | The world in 2025 and beyond with Professor Geoffrey Blainey AC DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/the-world-in-2025-geoffrey-blainey/ LOCATION:VIC CATEGORIES:Fundraiser,Important Dates,Members,Talk ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/geoffrey-blainey-book-cover-before-i-forget-promo-square.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250305T190000 DTEND;TZID=Australia/Melbourne:20250305T203000 DTSTAMP:20250321T113211Z CREATED:20250210T054914Z LAST-MODIFIED:20250321T113211Z UID:61868-1741201200-1741206600@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | The Path of Peace: Three Ways to a Simpler Life DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-5-mar-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/square-promo-path-to-peace.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250312T173000 DTEND;TZID=Australia/Melbourne:20250312T183000 DTSTAMP:20250325T113149Z CREATED:20241107T052354Z LAST-MODIFIED:20250325T113149Z UID:59773-1741800600-1741804200@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 1 | Ballarat's Changing Scene - Ballarat's Growth: Infrastructure Pressures DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/twilight-talks-ballarats-growth/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/11/square-promo-individuals-infrastructure.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250312T190000 DTEND;TZID=Australia/Melbourne:20250312T203000 DTSTAMP:20250321T113209Z CREATED:20250210T055148Z LAST-MODIFIED:20250321T113209Z UID:61870-1741806000-1741811400@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | The Path of Peace: Three Ways to a Simpler Life DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-12-mar-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/square-promo-path-to-peace.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250313T193000 DTEND;TZID=Australia/Melbourne:20250313T210000 DTSTAMP:20250321T061217Z CREATED:20250211T042522Z LAST-MODIFIED:20250321T061217Z UID:61914-1741894200-1741899600@ballaratmi.org.au SUMMARY:Ballarat Film Society | The Movie Teller DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/bfs-the-movie-teller/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Ballarat Film Society,Externally Produced Event,Film ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/sqaure-promo-bfs-update3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250319T173000 DTEND;TZID=Australia/Melbourne:20250319T183000 DTSTAMP:20250325T113146Z CREATED:20241219T033900Z LAST-MODIFIED:20250325T113146Z UID:60810-1742405400-1742409000@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 1 | Ballarat's Changing Scene - Change in Ballarat's Car Industry DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/ballarats-car-industry/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/12/Ballarats-car-industry.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250319T190000 DTEND;TZID=Australia/Melbourne:20250319T203000 DTSTAMP:20250321T074547Z CREATED:20250210T224700Z LAST-MODIFIED:20250321T074547Z UID:61877-1742410800-1742416200@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Calm Amidst Chaos: How to Deal with Difficult People DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-19-mar-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/square-promo4-final.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250319T190000 DTEND;TZID=Australia/Melbourne:20250323T220000 DTSTAMP:20250321T091428Z CREATED:20250131T042444Z LAST-MODIFIED:20250321T091428Z UID:61594-1742410800-1742767200@ballaratmi.org.au SUMMARY:Broadway to Ballarat: The Haunted Theatre DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/broadway-to-ballarat-the-haunted-theatre/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Comedy,Live Music,Theatre Production ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/broadway-to-ballarat-promo-square.webp ORGANIZER;CN="Reuben Morgan":MAILTO:reuben.i.morgan@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250324T180000 DTEND;TZID=Australia/Melbourne:20250324T193000 DTSTAMP:20250321T051403Z CREATED:20250213T025304Z LAST-MODIFIED:20250321T051403Z UID:62065-1742839200-1742844600@ballaratmi.org.au SUMMARY:In Conversation with Charlotte McConaghy DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/charlotte-mcconaghy/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/charlotte-sq-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250326T173000 DTEND;TZID=Australia/Melbourne:20250326T183000 DTSTAMP:20250325T113143Z CREATED:20241219T034349Z LAST-MODIFIED:20250325T113143Z UID:60812-1743010200-1743013800@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 1 | Ballarat's Changing Scene - Changes to the Canadian Corridor DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/canadian-corridor/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/12/square-promo-individuals-canadian.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250326T190000 DTEND;TZID=Australia/Melbourne:20250326T203000 DTSTAMP:20250321T074545Z CREATED:20250210T231615Z LAST-MODIFIED:20250321T074545Z UID:61884-1743015600-1743021000@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Calm Amidst Chaos: How to Deal with Difficult People DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-26-mar-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/square-promo4-final.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250330T140000 DTEND;TZID=Australia/Melbourne:20250330T173000 DTSTAMP:20250321T161603Z CREATED:20241126T231156Z LAST-MODIFIED:20250321T161603Z UID:60217-1743343200-1743355800@ballaratmi.org.au SUMMARY:70th Anniversary Minerva Social | Scottish Country Dancing DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/scottish-country-dancing-2025/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:external event ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/11/ballarat-scottish-square-promo-final.webp ORGANIZER;CN="Ballarat Country Scottish Dancing":MAILTO:heathermross2021@outlook.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250401T180000 DTEND;TZID=Australia/Melbourne:20250401T193000 DTSTAMP:20250321T044951Z CREATED:20250218T050634Z LAST-MODIFIED:20250321T044951Z UID:62217-1743530400-1743535800@ballaratmi.org.au SUMMARY:In Conversation with Mark Smith DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/mark-smith/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Author Talk,Fundraiser,Library ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/sq-promo-mark-smith.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250402T173000 DTEND;TZID=Australia/Melbourne:20250402T183000 DTSTAMP:20250325T113140Z CREATED:20241219T035224Z LAST-MODIFIED:20250325T113140Z UID:60820-1743615000-1743618600@ballaratmi.org.au SUMMARY:Twilight Talks 2025\, Season 2 | Connections to War from a Ballarat Perspective: Dr Hardy DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/dr-hardy/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Fundraiser,Important Dates,Members,Talk,Twilight Talks ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/12/dr-hard-square-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250402T190000 DTEND;TZID=Australia/Melbourne:20250402T203000 DTSTAMP:20250321T074541Z CREATED:20250210T232440Z LAST-MODIFIED:20250321T074541Z UID:61890-1743620400-1743625800@ballaratmi.org.au SUMMARY:Kadampa Meditation Series | Calm Amidst Chaos: How to Deal with Difficult People DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/kadampa-meditation-series-2-apr-25/ LOCATION:Lending Library\, Sturt Street\, Ballarat Central\, Victoria\, 3350\, Australia CATEGORIES:kadampa ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/square-promo4-final.webp ORGANIZER;CN="Kadampa Meditation":MAILTO:info@kadampa.org.au END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250404T190000 DTEND;TZID=Australia/Melbourne:20250404T220000 DTSTAMP:20250404T040042Z CREATED:20250403T233030Z LAST-MODIFIED:20250404T040042Z UID:64276-1743793200-1743804000@ballaratmi.org.au SUMMARY:This is the Way the World Ends\, a Ballarat National Theatre Production DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/this-is-the-way-the-world-ends/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Theatre Production ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/TWWE-Square.webp ORGANIZER;CN="Ballarat National Theatre":MAILTO:contact@bnt.org.au END:VEVENT END:VCALENDAR