BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Ballaarat Mechanics' Institute - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://ballaratmi.org.au X-WR-CALDESC:Events for Ballaarat Mechanics' Institute REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Australia/Melbourne BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20220402T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20221001T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20230401T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20230930T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20240406T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20241005T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20250405T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20251004T160000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+1100 TZOFFSETTO:+1000 TZNAME:AEST DTSTART:20260404T160000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+1000 TZOFFSETTO:+1100 TZNAME:AEDT DTSTART:20261003T160000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20230916T170000 DTEND;TZID=Australia/Melbourne:20230916T180000 DTSTAMP:20260507T204338 CREATED:20230804T052600Z LAST-MODIFIED:20230825T030905Z UID:42786-1694883600-1694887200@ballaratmi.org.au SUMMARY:Chamber Music in Ballarat | All Beethoven Duo Recital DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/all-beethoven-duo-recital/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Art programs,Classical Music,Live Music ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2023/08/Square-promotional.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20231216T193000 DTEND;TZID=Australia/Melbourne:20231216T220000 DTSTAMP:20260507T204338 CREATED:20231004T220653Z LAST-MODIFIED:20231023T010731Z UID:46008-1702755000-1702764000@ballaratmi.org.au SUMMARY:Motown Mistletoe with Motor City Sounds DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/motor-city-sounds-motown/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Live Music ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2023/10/mcs-bmi-2019_orig-adj.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240113T150000 DTEND;TZID=Australia/Melbourne:20240113T150000 DTSTAMP:20260507T204338 CREATED:20240109T042935Z LAST-MODIFIED:20240110T005513Z UID:49842-1705158000-1705158000@ballaratmi.org.au SUMMARY:Organs of the Ballarat Goldfields | Recital 3 | Haydn Baryton Trios DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/organs-of-the-goldfields/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Classical Music,Live Music ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2024/01/organs-of-the-goldfields-square.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240413T193000 DTEND;TZID=Australia/Melbourne:20240413T220000 DTSTAMP:20260507T204338 CREATED:20240227T032727Z LAST-MODIFIED:20240327T050136Z UID:51774-1713036600-1713045600@ballaratmi.org.au SUMMARY:BMI Fundraiser | Shindig DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/shindig/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Fundraiser,Live Music,Members ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2024/02/shindig-thumbnail-event-promo5.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240414T170000 DTEND;TZID=Australia/Melbourne:20240414T183000 DTSTAMP:20260507T204338 CREATED:20240131T005717Z LAST-MODIFIED:20240131T232520Z UID:50783-1713114000-1713119400@ballaratmi.org.au SUMMARY:Songs for Suzanne - The music and poetry of Leonard Cohen DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/music-poetry-leonard-cohen/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Produced Event,Live Music ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2024/01/songs-for-suzanne.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240421T143000 DTEND;TZID=Australia/Melbourne:20240421T161500 DTSTAMP:20260507T204338 CREATED:20240403T012946Z LAST-MODIFIED:20240403T020926Z UID:53422-1713709800-1713716100@ballaratmi.org.au SUMMARY:All Schubert Chamber Recital | Susan Pierotti\, Zoe Knighton & Brian Chapman DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/all-schubert-chamber-recital/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Art programs,Classical Music,Live Music ATTACH;FMTTYPE=image/png:https://ballaratmi.org.au/wp-content/uploads/2024/04/schubert-promo-square-FINAL.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240803T180000 DTEND;TZID=Australia/Melbourne:20240803T194500 DTSTAMP:20260507T204338 CREATED:20240716T042041Z LAST-MODIFIED:20250325T061828Z UID:57298-1722708000-1722714300@ballaratmi.org.au SUMMARY:Preludes\, Intermezzi and Nocturnes DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/preludes-intermezzi-and-nocturnes/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Classical Music,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/Concert-graphics-Square.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240804T140000 DTEND;TZID=Australia/Melbourne:20240804T154500 DTSTAMP:20260507T204338 CREATED:20240716T042503Z LAST-MODIFIED:20240717T232452Z UID:57313-1722780000-1722786300@ballaratmi.org.au SUMMARY:Preludes\, Intermezzi and Nocturnes | Program 2 DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/preludes-intermezzi-and-nocturnes-2/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Classical Music,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/Concert-graphics-Square.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20240908T143000 DTEND;TZID=Australia/Melbourne:20240908T160000 DTSTAMP:20260507T204338 CREATED:20240325T021720Z LAST-MODIFIED:20250325T142905Z UID:52724-1725805800-1725811200@ballaratmi.org.au SUMMARY:Teeny Tiny Stevies - Twice the Love Tour\, Ballarat DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/teeny-tiny-stevies/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Produced Event,Comedy,Live Music ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2024/03/teeny-tiny-stevies-e1711333465682.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20241005T190000 DTEND;TZID=Australia/Melbourne:20241005T201500 DTSTAMP:20260507T204338 CREATED:20240908T234149Z LAST-MODIFIED:20250324T063643Z UID:58576-1728154800-1728159300@ballaratmi.org.au SUMMARY:Calum Graham: Phoenix Rising DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/calum-graham-phoenix-rising/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Produced Event,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/09/square-promo-calum-graham.webp ORGANIZER;CN="Concerts Australia":MAILTO:michael@concertsaustralia.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20241013T143000 DTEND;TZID=Australia/Melbourne:20241013T161500 DTSTAMP:20260507T204338 CREATED:20240731T050302Z LAST-MODIFIED:20250325T030800Z UID:57865-1728829800-1728836100@ballaratmi.org.au SUMMARY:Classical & French Duo-Recital | Susan Pierotti & Brian Chapman DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/duo-recital/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Classical Music,Live Music,Victorian Seniors Festival ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/duo-recital-promo-square.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20241101T200000 DTEND;TZID=Australia/Melbourne:20241101T220000 DTSTAMP:20260507T204338 CREATED:20240424T033006Z LAST-MODIFIED:20250325T022254Z UID:54249-1730491200-1730498400@ballaratmi.org.au SUMMARY:Daniel Champagne | Ballarat DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/daniel-champagne-ballart/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Produced Event,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/04/square-from-poster.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20241110T140000 DTEND;TZID=Australia/Melbourne:20241110T160000 DTSTAMP:20260507T204338 CREATED:20240917T235139Z LAST-MODIFIED:20250321T211325Z UID:58801-1731247200-1731254400@ballaratmi.org.au SUMMARY:Jackson Dahlenburg: Album Launch: With Love | Debut Solo Piano Album DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/jackson-dahlenburg/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Produced Event,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/09/jackson-square-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20241111T193000 DTEND;TZID=Australia/Melbourne:20241111T204500 DTSTAMP:20260507T204338 CREATED:20240923T022643Z LAST-MODIFIED:20250321T211627Z UID:58911-1731353400-1731357900@ballaratmi.org.au SUMMARY:Jack Rutter | Live at the BMI DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/jack-rutter/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/09/square-promo-jack-rutter.webp ORGANIZER;CN="Concerts Australia":MAILTO:michael@concertsaustralia.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20241122T200000 DTEND;TZID=Australia/Melbourne:20241122T220000 DTSTAMP:20260507T204338 CREATED:20240910T030313Z LAST-MODIFIED:20250321T211629Z UID:58645-1732305600-1732312800@ballaratmi.org.au SUMMARY:Get Rhythm: The Johnny Cash & June Carter Show | THIS EVENT HAS NOW BEEN CANCELLED DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/johnny-cash-june-carter-show/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Produced Event,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/09/johnny-cash-square-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250124T193000 DTEND;TZID=Australia/Melbourne:20250124T230000 DTSTAMP:20260507T204338 CREATED:20250110T013352Z LAST-MODIFIED:20250321T163216Z UID:61048-1737747000-1737759600@ballaratmi.org.au SUMMARY:HIP HOP ELEMENTS DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/hip-hop-elements-bmi/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/sqaure-promo-hip-hop.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250207T183000 DTEND;TZID=Australia/Melbourne:20250207T203000 DTSTAMP:20260507T204338 CREATED:20250110T034631Z LAST-MODIFIED:20250321T163211Z UID:61064-1738953000-1738960200@ballaratmi.org.au SUMMARY:BMI Live: Olybird and the Milla Williams Duo DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/olybird-milla-williams-duo/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Live,Important Dates,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/IMG_0066A.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250209T150000 DTEND;TZID=Australia/Melbourne:20250209T173000 DTSTAMP:20260507T204338 CREATED:20241113T233828Z LAST-MODIFIED:20250321T163224Z UID:59974-1739113200-1739122200@ballaratmi.org.au SUMMARY:Adam Harvey | Live at the BMI DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/adam-harvey/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/11/rdKZB_7g-socials.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250221T193000 DTEND;TZID=Australia/Melbourne:20250221T210000 DTSTAMP:20260507T204338 CREATED:20250121T235526Z LAST-MODIFIED:20250321T163205Z UID:61399-1740166200-1740171600@ballaratmi.org.au SUMMARY:BMI Live: Hot Club Swing & Amie Brûlée DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/hot-club-swing-amie-brulee/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:BMI Live,Important Dates,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/udwcV2RW-e1738021755508.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250319T190000 DTEND;TZID=Australia/Melbourne:20250323T220000 DTSTAMP:20260507T204339 CREATED:20250131T042444Z LAST-MODIFIED:20250321T091428Z UID:61594-1742410800-1742767200@ballaratmi.org.au SUMMARY:Broadway to Ballarat: The Haunted Theatre DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/broadway-to-ballarat-the-haunted-theatre/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Comedy,Live Music,Theatre Production ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/broadway-to-ballarat-promo-square.webp ORGANIZER;CN="Reuben Morgan":MAILTO:reuben.i.morgan@gmail.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250405T193000 DTEND;TZID=Australia/Melbourne:20250405T230000 DTSTAMP:20260507T204339 CREATED:20250217T004441Z LAST-MODIFIED:20250321T042123Z UID:62137-1743881400-1743894000@ballaratmi.org.au SUMMARY:Zak Plays Zach: The Ultimate Zach Bryan Tribute Show DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/zak-plays-zach/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/02/ZPZ-Ballarat-Mechanics-Institute-Poster-April-2025-5-square-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250427T160000 DTEND;TZID=Australia/Melbourne:20250427T200000 DTSTAMP:20260507T204339 CREATED:20241129T225635Z LAST-MODIFIED:20250321T162923Z UID:60381-1745769600-1745784000@ballaratmi.org.au SUMMARY:Ash Grunwald at the BMI DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/ash-grunwald/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/11/ash-sq-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250517T183000 DTEND;TZID=Australia/Melbourne:20250517T230000 DTSTAMP:20260507T204339 CREATED:20250114T223422Z LAST-MODIFIED:20250508T064422Z UID:61199-1747506600-1747522800@ballaratmi.org.au SUMMARY:Dame Nellie Melba Birthday Dinner - This event has now been CANCELLED. DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/melba-opera-trust-dinner/ LOCATION:BMI – Humffray Room\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Art programs,Australian Heritage Festival,Ballarat Heritage Festival,Important Dates,Live Music,Theatre Production ATTACH;FMTTYPE=image/jpeg:https://ballaratmi.org.au/wp-content/uploads/2022/01/about-dame-nellie-melba.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250518T140000 DTEND;TZID=Australia/Melbourne:20250518T160000 DTSTAMP:20260507T204339 CREATED:20250114T215837Z LAST-MODIFIED:20250515T060728Z UID:61189-1747576800-1747584000@ballaratmi.org.au SUMMARY:Dame Nellie Melba Celebration Performance DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/melba-opera-trust/ LOCATION:BMI – Minerva Space\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350 CATEGORIES:Art programs,Australian Heritage Festival,Ballarat Heritage Festival,Classical Music,Important Dates,Live Music,Theatre Production ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/01/mot-performance-promo-sq.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250525T140000 DTEND;TZID=Australia/Melbourne:20250525T173000 DTSTAMP:20260507T204339 CREATED:20250422T011809Z LAST-MODIFIED:20250516T034922Z UID:64638-1748181600-1748194200@ballaratmi.org.au SUMMARY:Sweet Sounds for the Otways DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/sweet-sounds-of-the-otways/ LOCATION:VIC CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/04/sq-promo-otways.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250531T190000 DTEND;TZID=Australia/Melbourne:20250531T214500 DTSTAMP:20260507T204339 CREATED:20250512T012032Z LAST-MODIFIED:20250520T005051Z UID:64934-1748718000-1748727900@ballaratmi.org.au SUMMARY:Sweet Mona's Choir | On Tour: Let the Good Times Roll CD Launch DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/sweet-monas-choir/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/05/SMC-LTGTR-BMI-SquareImage.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250629T140000 DTEND;TZID=Australia/Melbourne:20250629T163000 DTSTAMP:20260507T204339 CREATED:20250523T002017Z LAST-MODIFIED:20250527T234616Z UID:65094-1751205600-1751214600@ballaratmi.org.au SUMMARY:The Australian Barbra Streisand Show | Featuring Rachael Grace DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/australian-barbra-streisand-show/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Ballarat Pride,BMI Produced Event,Live Music ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/05/babs-sq-promo.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250727T140000 DTEND;TZID=Australia/Melbourne:20250727T180000 DTSTAMP:20260507T204339 CREATED:20250624T044813Z LAST-MODIFIED:20250625T050048Z UID:65825-1753624800-1753639200@ballaratmi.org.au SUMMARY:Royal South Street Society | Schimmel Pianoforte Schedule - Celebrating Chopin DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-pianoforte-schedule-7/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Live Music,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2025/06/chopin.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250802T093000 DTEND;TZID=Australia/Melbourne:20250802T210000 DTSTAMP:20260507T204339 CREATED:20250625T043529Z LAST-MODIFIED:20250626T063828Z UID:65954-1754127000-1754168400@ballaratmi.org.au SUMMARY:Royal South Street Society | Freemasons Vocal Schedule & Championship Challenge DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-vocal-schedule-9-2/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Live Music,Royal South Street Society ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos3.webp END:VEVENT BEGIN:VEVENT DTSTART;TZID=Australia/Melbourne:20250804T193000 DTEND;TZID=Australia/Melbourne:20250804T213000 DTSTAMP:20260507T204339 CREATED:20250625T000219Z LAST-MODIFIED:20250722T042831Z UID:65888-1754335800-1754343000@ballaratmi.org.au SUMMARY:Royal South Street Society | Herald Sun Aria Semi Final DESCRIPTION:Opera’s Bad Girl: Anna Bishop\, the World’s First Daringly Defiant Diva \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n October 24\n\n \n\n @ \n\n\n7:00 pm\n\n \n\n\n\n \n - \n\n8:15 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n$20 – $35 \n \n \n \n \n \n \n Humffray Room \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n Before Melba\, there was Anna Bishop. The darling of the Goldfields\, returns at last to Ballarat to tell her story and sing the music that we came to love her for. \n \n \n \n \n \n \n Anna’s extraordinary life returns to the stage. Through beloved arias like Lucia’s Mad Scene\, The Last Rose of Summer\, and Home Sweet Home\, Sarahlouise Owens channels Anna’s bold spirit\, fierce independence\, and infectious charisma — breathing life into a woman who dared to live on her own terms. \n \n \n \n \n \n \n OPERA’S BAD GIRL tells the untamed true story of Anna Bishop — opera’s original rebel. A Victorian-era trailblazer who defied her time\, she lived fast\, sang farther\, going where angels fear to tread. From scandal to spotlight\, Anna Bishop was unstoppable. She left her famous composer husband and defied polite society by running off with a virtuoso harpist — embarking on a globe-trotting adventure so wild it reads like fiction: shipwrecks\, tiger attacks\, hostage-takings\, war zones and epidemics — and through it all\, she sang. To royalty. To rebels. To packed houses on every continent — including three history-making tours of Australia\, helped shape our musical identity. \n \n \n \n \n \n \n Opera’s Bad Girl is not just for opera lovers. It’s for anyone who’s ever felt the pull to break free\, to dream bigger\, to fight harder for the life they want. It’s history with heart\, high notes\, and a heroine who deserves her place among the legends. Whether you’re 18 or 80\, this show will move you\, inspire you — and leave you wondering why you’ve never heard her name before. One woman. One voice. One unforgettable story. Don’t miss Opera’s Bad Girl. The rebel diva you never knew you needed. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n About Sarahlouise Owens \n \n Sarahlouise Owens: Versatile performer\, Sarahlouise’s performance experience embraces Musicals (legit\, including Gilbert & Sullivan)\, Musical Theatre\, Opera\, Operetta\, Music Hall\, straight Theatre\, Oratorio and Liturgical music repertoire\, Early Music and Art Song. A graduate of Australian National University (Hons.) and RNCM Manchester\, she has worked in noted international theatres such as Frankfurt\, Hagen\, Hannover\, Paris Chatelet\, Brussels La Monnaie\, most nobably in the Bayreuth Wagner Festival over several years. She is a sought after soloist in Canberra having sung with many groups. She also formed an early music ensemble\, and Opera in a Nutshell. She is passionate about Art Song and performs regular solo concerts. Having learnt of Anna Bishop’s she’s not looked back. \n \n About Kathleen Loh \n \n Kathleen Loh: A graduate of the Canberra School of Music\, ANU\, Kathleen has been very active in the music scene in Sydney and Canberra. In Sydney\, she was the répétiteur for the Nepean Choral Society and official accompanist at the Parramatta Eisteddfod\, Sydney Percussion Eisteddfod and the Australian Flute Festival. More recently\, Kathleen has worked as répétiteur in various productions for the Canberra Opera and National Opera and was the Musical Director for the Canberra Opera productions of La Boheme\, Die Fledermaus and Cosi Fan Tutte. She has worked as the official accompanist for the Australian National Eisteddfod\, Art Song Canberra soirées\, has performed with the National Capital Orchestra and various chamber ensembles. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tickets: $35 adults\, $30 Concession\, $20.00 for full time students. \n \n \n \n \n \n \n \n Get Tickets\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n This event takes place on Wadawurrung Country. Ballaarat Mechanics’ Institute acknowledges the Wadawurrung People of the Kulin Nation as the first inhabitants and Traditional Custodians of the lands where we work\, learn and create. Always Was\, Always Will Be\, Aboriginal Land. URL:https://ballaratmi.org.au/event/rsss-aria-semi-final/ LOCATION:The Ballaarat Mechanics’ Institute\, 117-119 Sturt Street\, Ballarat Central\, VIC\, 3350\, Australia CATEGORIES:Important Dates,Live Music,Royal South Street Society,Theatre Production ATTACH;FMTTYPE=image/webp:https://ballaratmi.org.au/wp-content/uploads/2024/07/sq-promos.webp END:VEVENT END:VCALENDAR